The notion of pragmatic intention and


The pragmatic intention “to exert an emotional impact”



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The pragmatic intention “to exert an emotional impact”


The pragmatic intention of emotional impact is realized by the whole system of stylistic devices used in the text. But the dominant role belongs to a convergence of stylistic devices, that is the accumulation of many stylistic devices and expressive means of the language at a given point. It is accounted by the fact that emotions manifest themselves not separately; they come in a flow of words, one generating another (Изард,1980). The following quotation is illustrative in this respect:
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words? (Wilde, The picture of Dorian Grey, p.100)
The perception of the multifold notion “word” here is determined by a set of language means which are complexly interwoven. The statement produces a strong emotional impact which is achieved by means of the convergence of stylistic devices and expressive means. Practically, all types of stylistic means are in action here: lexical stylistic devices – epithet, metaphor, personification; lexico-syntactical means – simile, antithesis; syntactical stylistic means – one member sentences, exclamatory sentences, parallel constructions, gradation, rhetorical question, anaphora, framing, and polysyndeton.
Particularly important here is the role of epithets which run through the entire extract forming a string of different attributes related to one and the same lexeme “word”. Such an abundance of epithets creates the effect of emotional gradation, and serves the purport of a comprehensive, emotional, evaluative characterization of the denotatum expressed by the lexeme “word”. The described notion is presented in a multitude of conceptual features both of positive and negative character: positive characteristics: clear, vivid, magic, subtle, musical, sweet, real; negative characteristics: terrible, cruel

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