Gulistan state university department of the english language and literature course paper

Notable works of the period

Poets and poetry

Poetry became a weapon during the American Revolution, with both loyalists and Continentals urging their forces on, stating their arguments, and celebrating their heroes in verse and songs such as “Yankee Doodle,” “Nathan Hale,” and “The Epilogue,” mostly set to popular British melodies and in manner resembling other British poems of the period.
The most memorable American poet of the period was Philip Freneau, whose first well-known poems, Revolutionary War satires, served as effective propaganda; later he turned to various aspects of the American scene. Although he wrote much in the stilted manner of the Neoclassicists, such poems as “The Indian Burying Ground,” “The Wild Honey Suckle,” “To a Caty-did,” and “On a Honey Bee” were romantic lyrics of real grace and feeling that were forerunners of a literary movement destined to be important in the 19th century.

Drama and the novel

In the years toward the close of the 18th century, both dramas and novels of some historical importance were produced. Though theatrical groups had long been active in America, the first American comedy presented professionally was Royall Tyler’s Contrast (1787). This drama was full of echoes of Goldsmith and Sheridan, but it contained a Yankee character (the predecessor of many such in years to follow) who brought something native to the stage.

William Hill Brown wrote the first American novel, The Power of Sympathy (1789), which showed authors how to overcome ancient prejudices against this form by following the sentimental novel form invented by Samuel Richardson. A flood of sentimental novels followed to the end of the 19th century. Hugh Henry Brackenridge succeeded Cervantes’s Don Quixote and Henry Fielding with some popular success in Modern Chivalry (1792–1815), an amusing satire on democracy and an interesting portrayal of frontier life. Gothic thrillers were to some extent nationalized in Charles Brockden Brown’s Wieland (1798), Arthur Mervyn (1799–1800), and Edgar Huntly (1799).