Conclusion
To
conclude, the epic world of the poem is a world of opposing good and evil, a world of heroic deeds, exaggerated feelings and possibilities, a world that reflects the real life of singers and listeners. This world
opposes the ordinary world, but reflects all its contradictions. Good in the poem is expressed through the image of Beowulf , while evil is expressed through his enemies, monsters.
The struggle for glory and jewels,
loyalty to the leader, bloody revenge as an imperative of behavior, the dependence of a person and a courageous meeting with it, the tragic death of a hero - all these are the defining themes not only of Beowulf , but also of other monuments of the German epic.
Contrast
between two warring forces, the conflict divides the images of the poem into two camps, in one of which - the hero, the king and queen of the tribe,
their squads, in the other - monsters, opponents of the hero. The world of the poem is divided into two parts: in the center of the first - the hero, in the center of the second - his opponents. All the elements of this world gravitate towards one of the poles; there are no "neutral" details not connected with this or that camp. Images of characters
and their characteristics, temporal and influential features, objects - everything belongs to the world of heroes or their opponents. The opposition of individual elements is so consistent and comprehensive that the world of monsters appears as an inverted world of heroes. This is exactly what makes the reader interested and keep reading over and over . If the characters of a book were not opposed to one another, it would not considered as a literary work and could not grab reader`s attention for a long time, as well. As the “Beowulf” represents this main literary feature
throughout its contexts, it still plays a prominent role in the history and literature of the world.
Bibleograhpy
1. Alekseev M.P. Literature of Medieval England and Scotland. - M.: Higher . school, 1984. - S.24-56
2. Anikin G.V. Mikhalskaya N.P. History of English Literature. M.: Higher . school, 1975. - S.45-53
3. Anikst A. History of English literature. - M.: Uchpedgiz , 1956. - S.27-39
4. Beowulf //
Library of World Literature, v.9. Beowulf . Elder Edda. The Song of the Nibelungs - M .: Hood.
literature, 1975. - S.12-341
5. Gurevich A. " Beowulf ". Introductory article // Library of World Literature, v.9. Beowulf . Elder Edda. The Song of the Nibelungs - M .: Hood. literature, 1975. - S.5-12
6. Eliferova M.A. _ English Iliad. About the early medieval poem " Beowulf " // History . - 2008 . - No. 06 . -
S.2 4-26 _
7. History of World Literature // ed . Berdnikova G.P. T.2. Early and Mature Middle Ages. - M.: Nauka, 1997. - S.226-260
8. Melnikova E.A. Sword and Lyre: Anglo-Saxon Society in History and Epic. - M.: Thought, 1987 - 203 p.
9. Smirnitskaya O.A. Old English poetry. - M.: Nauka, 1980. - S.171-232
Internet sources
Gurevich A. Medieval heroic epic of the Germanic peoples [ http :// mifolog . ru / books / item / f 00 / s 00 / z 0000007 / st 000 . shtml ]
Lushchenko M. Beowulf . History and legend: Characters [ http:// svr-lit . niv.ru/svr-lit/articles/luschenko-beovulf . _ _ _ _ _ _ _ htm ]
Meletinsky E.M. Anglo - Saxon epic poetry [ http :// svr - lit . niv . ru / svr - lit / articles / meletinskij - epicheskaya - poeziya . htm ]
Poetry // Beowulf - Analysis [ http:// bespotte .ru /p/beovulf_-_analiz ]
Romanenko V.V. Reflection of the early medieval worldview in the "Song of Beowulf " [ http://www. claw.ru /a-litera/ li_24739 . htm ]
Shtokmar V. Anglo-Saxon conquest [ http:// lib .ru s . ec /b/233420/ read ]