Ministry of higher and secondary special educatio

CONCLUSION
The following conclusions were drawn from the completed course work:
1. History os uzbek music has been explained: Since ancient times, on the territory of Uzbekistan various civilizations have developed, blossomed and fallen into decay, and left a deep mark on the history of world culture. Concerning musical and theatrical art, which also has deep roots in past centuries, it was born in the midst of the multinational peoples of Central Asia. During the era of the Samanids (9th-10th cc.), rropewalkers and stilt walkers and performances of national comedians were developing. They slightly remind one of modern popular circus performances. Most vividly, these tendencies were shown in the creativity of the actors of the "Maskharaboz" theatre. We know of the old musical traditions, also from monuments of the fine arts of culture during the Kushan period on which musicians are represented. One of them is presented on a frieze with string alpha-type musical instrument in hand, another with a wind musical instrument, similar to a flute, and the third with a bilateral drum of oblong form.
2. Uzbek musical instruments have been divided into groups : A wealth of Uzbek musical instruments is rich: stringed instruments, wind instruments and drums. Uzbek national musical instruments in their present form have been existing for several centuries. Uzbek percussion musical instruments: Evidently, the most favorite Uzbek percussion instrument is doira. This instrument itself gives much fun and a lot of positive emotions. Uzbek wind musical instruments: Along with the doira, one of the most popular musical instruments of Uzbekistan is karnay. This is a long (4.5-5 meters) pipe, which is wide on the base. In the narrow upper part a wooden tube is fixed. Inside the tube itself is another thin metal tube. Surnay is a wind instrument of a smaller size than the karnay. The carcass of the surnay with a wide socket is skillfully carved from a single piece of apricot or mulberry tree, and its metal pin is made of silver. Nay musical instrument makes a pleasant sound, which is compared with a whisper of a mountain brook. Uzbek stringed instruments: Uzbek rubab is a wooden convex case with a leather deck, metal or silk strings. The sizes of the rubab can be very different, but the optimal size is 80-100 cm. Musicians play the rubab with a bow, and while playing they hold the instrument on their knees. Uzbek musical instrument dutar appeared around the 15th century. At the beginning, as it was the shepherds’ instrument, strings for the dutar were made from the guts of animals.
3. Classic and contemporary music, even bakhshi art of Uzbekistan has been analyzed: Shashmaqam, a Central Asian classical music style, is believed to have arisen in the cities of Bukhara and Samarqand in the late 16th century. The term "shashmaqam" translates as six maqams and refers to the structure of music with six sections in different musical modes, similar to classical Persian traditional music. Interludes of spoken Sufi poetry interrupt the music, typically beginning at a low register and gradually ascending to a climax before calming back down to the beginning tone. After Turkestan became part of the Russian Empire in the 19th century, first attempts were taken to record national melodies of Turkestan. Russian musicians helped preserve these melodies by introducing musical notation in the region. The art of Bakhshi singing is a common Central Asian folklore music genre. Historical folk epics are usually performed by Bakhshis and transferred orally from generation to generation. It’s a difficult type of throat singing (overtone singing) genre and therefore not everyone can become a bakhshi. Their musical instruments vary depending on the locality. In Uzbekistan, bakshis use dombra and sometimes drums. Many forms of popular music, including folk music, pop, and rock music, have particularly flourished in Uzbekistan since the early 1990s. Uzbek pop music is well developed, and enjoys mainstream success via pop music media and various radio stations. Many Uzbek singers such as Sevara Nazarkhan and Sogdiana Fedorinskaya, Rayhon Ganieva have achieved commercial success not only in Uzbekistan but also in other CIS countries such as Kazakhstan, Russia, and Tajikistan.