O'zbek musiqa dramasi: jarayon

Uzbek music drama:
about specifications and typological features of the genre
Abstract. This article deals with the Uzbek musical drama, which has its own roots and original repertoire; about what laid the foundation for its development, including musical performances by Uzeyir Hajibeyov, Khamza's propaganda plays, lyrical sketches and the play "Halima" by Zafari, where word, music, singing, dance and action found their place; musical performances of subsequent years are traced from the point of view of the specifics and typological features of the genre, which actualizes the problematics, purpose and objectives of this article, in contrast to other attempts at scientific understanding of the problem.
Key words: musical drama, song traditions, typology, synthesis of arts, stage culture, song-arias, acting, national style.
muallif haqida ma'lumot: Hamidova Marfua Azizovna, san'atshunoslik fanlari doktori, O'zbekiston davlat konservatoriyasining akademik ashula va opera tayyorlash kafedrasi professori.
e-mail: [e-mail]
Information about the author: Khamidova Marfua Azizovna, Doctor of Arts, Professor of the Department of Academic Singin Opera Training of the State Conservatory of Uzbekistan.
e-mmail: [e-mail]

1^ Отметим, в частности, статьи Халмирзаева Б. [14; 15]

2^ Необходимо обратить внимание, что понятие “музыкальная драма”, в данном случае, никак не соотносится с операми Р. Вагнера.