The Chinese Caribbean diaspora and performative subjectivity in Jan Lowe Shinebourne’s The Last Ship

Funding
This work was supported by the National Social Science Foundation of China under Grant 
17CZW060.
Declarations 
Conflict of interest
There is no conflict of interest.
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Document Outline

• The Chinese Caribbean diaspora and performative subjectivity in Jan Lowe Shinebourne’s The Last Ship
  • Abstract
  • Introduction
  • Performative subjectivity and diasporic identity
  • Performativity of naming
  • Performativity of family storytelling
  • Performativity of eating
  • Conclusion
  • References